Wednesday, May 11, 2011

The Choir – Alternative Rock Pioneers

The Choir is an atmospheric Christian alternative rock band, led by Derri Daugherty on guitar and vocals, Steve Hindalong on drums—who also writes most of the band's lyrics—along with Tim Chandler on bass, Dan Michaels on saxophone and lyricon and Marc Byrd on guitar (as of 2005).

Each band member has also worked on numerous projects outside of The Choir: Hindalong produced the successful City On A Hill series of worship albums, co-writing the well-known song "God of Wonders" with fellow band-mate Byrd. Daugherty has been a member of contemporary Christian "supergroup" The Lost Dogs since 1991, with Hindalong recently joining the group. Chandler has been the bass player for Daniel Amos for many years, pre-dating his work with The Choir. Byrd was a member of Common Children, recorded with his wife Christine Glass as Glassbyrd, and is currently half of the post-rock duo Hammock.

The Choir was originally formed as Youth Choir in the early 1980s by Derri Daugherty and Steve Hindalong. The two songwriters had been introduced by mutual friend, bassist Tim Chandler, who was touring with Daniel Amos along with Daugherty, who was the band's roadie and sound man at the time. Hindalong and Daugherty quickly became friends and a songwriting team. Youth Choir became part of the Calvary Chapel Christian punk and alternative music scene, which also included the bands Undercover, Crumbächer, Altar Boys and 4-4-1.

The music of The Choir has been described by the Los Angeles Times as "magical songs that combine strains of murky psychedelia with pure pop." Billboard praised the band for its "dark poetic leanings, effects-laden guitars and strong melodic hooks." In 1984, Youth Choir became the first band ever to play at the Cornerstone Festival, the preeminent Christian arts and music festival in the United States. By 1986, the band dropped the "Youth" from its name and began calling itself simply The Choir. Hindalong began writing most of the lyrics for the band at this point, songs that are known for their vulnerability and honesty, particularly about the challenges inherent in romantic relationships and the simple joys of family life.

Although the band has long had a cult following among listeners of Christian alternative music, that did not translate into financial success within the Contemporary Christian music, or CCM, industry, nor did it lead to a successful mainstream crossover experienced by later groups like Jars of Clay, Switchfoot and Sixpence None the Richer, who have pointed to The Choir as a significant musical influence. As a result, the band nearly called it quits in 1996 after their final U.S. tour, a few years after Daugherty, Hindalong and Michaels moved from their homes in Southern California to Nashville, Tennessee, since much of the CCM industry is now based there. The difficulty of this cross-country move also made its way into the lyrics of the band's songs, primarily Speckled Bird. Nevertheless, the band continued recording, and received a Grammy Award nomination for their 2000 release, Flap Your Wings.

READ MORE: http://en.wikipedia.org/wiki/The_Choir_(alternative_rock_band)


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The Choir - Render Love



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The Choir - Spring  



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The Choir - If You're Listening

 
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Youth Choir (The Choir) - A Million Years

 
 


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The Choir performs "Sad Face" in Buffalo, NY in 1996
 
 


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Five Iron Frenzy - Proof That the Youth Are Revolting CD

AVAILABLE NOW: Five Iron Frenzy - Proof That the Youth Are Revolting CD
ONLY $7.99

To order your copy, click “Add To Cart” below and follow the instructions thereafter:


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Proof That The Youth Are Revolting is Five Iron Frenzy's first live album, released November, 1999 by Sarabellum Records and Five Minute Walk, with distribution by Warner Bros. Records. 

It was recorded at eleven shows hroughout 1998 and 1999, including Cornerstone 1999. 
The cover art was made by Douglas TenNapel.

Track listing

1. "Introduction" – 0:54
2. "One Girl Army" – 3:38
3. "Oh, Canada" – 3:02
4. "A Flowery Song" – 4:10
5. "Handbook For the Sellout" – 4:05
6. "Receive Him" – 0:20
7. "All That Is Good" – 3:21
8. "Dandelions" – 3:20
9. "Suckerpunch" – 4:04
10. "It's Not Unusual" – 2:12
11. "Anthem" – 3:27
12. "New Hope" – 3:45
            - Ends with the song "Kingdom of the Dinosaurs"
13. "Arnold, Willis & Mr. Drummond" – 2:30
14. "Ugly Day" – 4:39
15. "Where Zero Meets 15" – 4:48
16. "Superpowers" – 3:46
17. "Blue Comb '78" – 4:02
18. "Every New Day" – 4:58

-Hidden Track-

"Messups"





Tuesday, May 10, 2011

The 77s - Alternative Rock Music Pioneers

The 77s (alternatively spelled The Seventy Sevens or The 77's) are an American rock band consisting of Michael Roe on vocals/guitar, Mark Harmon on bass, and Bruce Spencer on drums

After considerable success on Exit/A&M in the early 1980s, The 77s soon found themselves signed to Island Records (which, like A&M would be bought by PolyGram in 1989) and on the road to what Mike Roe would refer facetiously as "teenage stardom." Their 1987 self-titled release was reviewed favorably by Rolling Stone magazine and produced "The Lust, the Flesh, the Eyes & the Pride of Life," the band's biggest single to date. "The Lust..." ended up being much more influential than the band originally thought. A decade-and-a-half later, the reggae-rock band 311's hit single "I'll Be Here Awhile" "borrowed" several lines from "The Lust..." (i.e., "And if a person, place, or thing can deliver / I will quiver with delight"). Ironically, "The Lust..." itself borrowed musically from Barry McGuire's song "Eve of Destruction".

Unfortunately for The 77s, labelmates U2 found a great deal of success with their Joshua Tree album, thus distracting Island Records' attention from promoting what many fans consider The 77s' best album of their career.

On March 13, 1988, The 77s performed with The Alarm and House of Freaks at the Fillmore Auditorium in San Francisco, California, entertaining patrons such as Neil Young. Despite riding a wave of popularity with the critics, Tootle and Volz left the band later that same year. While the band reformed in the early 90s with the addition of former Strawmen members David Leonhardt (guitar) and Harmon, the live album 88 and Sticks and Stones, a collection of previously unreleased recordings and demos, were released. One song from Sticks and Stones ("MT") was later covered by Zoppi (featuring future 77s drummer Bruce Spencer) and featured a number of times on the popular FOX television series "Beverly Hills, 90210".

This new version of the band released a pair of albums for Word Records: 1992's The Seventy Sevens (known by the band and fans as Pray Naked, the album's original title which was dropped by the record label without consulting the band due to Christian vendor pressures not to sell an album titled "Pray Naked") and 1994's critically acclaimed Drowning with Land in Sight. Leonhardt and Smith would leave the band soon afterward. Drummer Bruce Spencer, formerly of Vector, was brought on board to fill Smith's vacancy. Roe chose not to replace Leonhardt, preferring to record and perform as a power trio; however, multi-instrumentalist Scott Reams was occasionally brought in to enhance the band's sound during their live performances.


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The 77s - Cornerstone 2012 (Full Set)
   

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The 77's - Frames without Photographs


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The 77's - What Was in That Letter


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The 77s - Don't, This Way


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The 77s - Film at 11


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Monday, April 04, 2011

Brainstorm Profile: Starflyer 59

Starflyer 59 is an alternative rock band from Riverside, California that was founded in 1993 by Jason Martin, brother of Ronnie Martin of Joy Electric. While Jason Martin has written nearly all of Starflyer 59's songs, the band has included a number of different musicians over the years, including Jeff Cloud, Frank Lenz, and Richard Swift. The band's sound was initially identified as an outgrowth of the shoegazing movement of the early 1990s, but the band's music in the late 2000's bears almost no resemblance to that of its early days.

Starflyer 59 was signed to Tooth & Nail Records, their original and current label, after Jason Martin gave a demo to Brandon Ebel when the two met at a music festival in 1993. Shortly afterwards, Ebel contacted Martin and offered him a record contract. By the end of the year, Starflyer 59's debut album, Silver, was recorded and released.

In mid-1994, Starflyer 59 released a follow-up EP to Silver entitled She's The Queen. Fans who had purchased Silver and new listeners who were beginning to hear more about the band had begun to say that they "liked the second album more than the first." Interestingly, this somewhat angered Jason Martin, as he did not intend for the EP to be considered any sort of album whatsoever. He felt there was no reason to compare the two pieces of work to each other. Either way, the fanbase for Starflyer 59 was beginning to grow.

In 1995, Starflyer 59 released their second album, Gold. The sound was similar to their first release, while Jason Martin continued to add layers of guitar riffs to each song. Original response to the album was generally negative.[1] Many who had enjoyed the band's debut were disappointed with the release, partly because the songs had a somewhat depressive tone and continued on for minutes and minutes on end. Eventually, people began viewing Gold positively. Sales of the album suddenly jumped and it nearly tripled the sales of Silver.

For Starflyer 59's next album which was released in 1997, Americana, several changes to the band were made. Bass player Andrew Larson departed, being replaced by Eric Campuzano (The Prayer Chain). In addition, Wayne Everett, also of The Prayer Chain became the band's studio drummer, a role that had previously been held by Jason Martin himself (although Everett had been the drummer on several tracks on Gold). High tensions in the studio during the recording of the album led Campuzano to leave the band before it began touring to support the new album. Replacing him was Jeff Cloud, who had been Starflyer's touring manager.

The release of The Fashion Focus in 1998 signaled a significant change in the direction of the band's sound, largely due to the influence of producer Gene Eugene. Where previous albums had emphasized guitars and loud rock and roll, The Fashion Focus was a significantly softer album. This album featured the introduction of keyboards in the music, which replaced layered guitars. The new sound was more pop-friendly than earlier albums, while not abandoning the signature Starflyer sound. The song "Too Much Fun" would be the band's last song in the early shoegazing style. Everybody Makes Mistakes, released the next year, continued in the same direction as The Fashion Focus.

READ MORE:
http://en.wikipedia.org/wiki/Starflyer_59

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Starflyer 59 - I Drive A Lot
http://www.youtube.com/watch?v=csPEitRRfuM




Starflyer 59 - No New Kinda Story
http://www.youtube.com/watch?v=3qO9F8mtL5o




Starflyer 59 - The Hearttaker
http://www.youtube.com/watch?v=CPzhleUuKRE